MMDB

Plus onques dame n'ameray

attributed to Matteo da Perugia

Sources

Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 8v,9v-10 (3/1).

Facsimiles

WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & Härtel, 1904. [reprinted Hildesheim: G. Olms, 1965], p. 125.

Editions

1. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & Härtel, 1904. [reprinted Hildesheim: G. Olms, 1965], Vol. III, p. 167.
2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 48.
3. French Secular Music. Virelais, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XXI, p. 36.

Literature

FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., p. 49.

Recordings

Anthologie Sonore, vol. 63, H. Guermant (S), F. Anspach (T), viol, harp, recorder, Marcu (1953): Anthologie Sonore AS 63.