In forma quasi tra 'l veghiar e 'l sonno
caccia by Vincenzo da Rimini
Sources
Florence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 36 (3/2);
London: British Library, Additional 29987, fol. 31, 68v (1/0) (Superius fragment).
Facsimiles
1. Die Musik in Geschichte und Gegenwart, edited by Friedrich Blume, 16 vols., Kassel and Basel: Bärenreiter, 1949 ff, p. 605 (Fl87).2. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo).
3. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992.
Editions
1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 47.2. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 66.
3. The Music of Fourteenth-Century Italy, edited by Nino Pirrotta, Rome: American Institute of Musicology, 1963. Corpus Mensurablis Musicae 8/IV, p. 48.
4. Italian Secular Music by Vincenzo da Rimini, Rosso de Chollegrana, Donato da Firenze, Gherardello da Firenze, Lorenzo da Firenze, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1971. Polyphonic Music of the Fourteenth Century VII, p. 9.
5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985.
6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983.
Text Editions
CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 83.Literature
1. GHISI, Federico. 'Caccia', Die Musik in Geschichte und Gegenwart, II (1952): 604-609.2. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim.
3. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224.
4. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim.
5. BAUMANN, Dorothea. 'Silben- und Wortwiederholungen im italienischen Liedrepertoire des späten Trecento und frühen Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, p. 79.
6. NEWES, Virginia. 'Chace, caccia, fuga: the convergence of French and Italian traditions', Musica Disciplina, XLI (1987), p. 31.
7. DI BACCO, Giuliano. 'Alcune nuove osservazioni sul codice di Londra', Studi Musicali, 20 (1991), p. 208.