MMDB

Solage

Three of the ten works by Solage in Ch suggest that he was close to the French royal family during the 1380s. `S'aincy estoit' is dedicted to Jean, Duke of Berry. Two further ballades probably allude to Catherine of France.

Works (11)

  1. Bien dire et sagement parler ballade
  2. Calextone, qui fut dame terrouse ballade
  3. Corps feminin par vertu de Nature ballade
  4. En l'amoureux vergier vis une flour ballade
  5. Fumeux fume par fumee rondeau
  6. Helas! je voy mon cuer a fin venir ballade
  7. Joieux de cuer en seumellant estoye virelai
  8. Le basile de sa propre nature ballade
  9. Pluseurs gens voy qui leur pensee ballade
  10. S'aincy estoit que ne feust la noblesce ballade
  11. Tres gentil cuer amoureux, attraians virelai

Literature

Solage

LIFE

  1. GÜNTHER, Ursula. 'Die Musiker des Herzogs von Berry', Musica Disciplina, XVII (1963): 79-95.
  2. GÜNTHER, Ursula. 'Solage', The New Grove, XVII (1980): 448 .

EDITIONS

  1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950 .
  2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1971. Corpus Mensurabilis Musicae 53/II.
  3. Norton Anthology of Western Music. Vol. I. Medieval, Renaissance and Baroque, edited by Claude V. Palisca, Yale University: W. W. Norton, 1980.
  4. French Secular Music. Manuscript Chantilly, Musée Condé 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX .
  5. LEFFERTS, Peter M. '"Subtilitas" in the tonal language of "Fumeux fume", Early Music, XVI/2 (1988): 176-183.

STUDIES OF WORKS

  1. GÜNTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960): 277-297, pp. 290-291( S'aincy estoit que ne feust la noblesce).
  2. GÜNTHER, Ursula. 'Datierbare Balladen des späten 14. Jahrhunderts. Part 1', Musica Disciplina, XV (1961): 39-61 (pp. 58-61)( S'aincy estoit que ne feust la noblesce).
  3. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols, Ph.D. dissertation, University of California (Berkeley): 1970, p. 214( Bien dire et sagement parler).
  4. SWARTZ, Anne. 'A new chronology of the ballades of Machaut', Acta Musicologica, XLVI (1974): 192-207 (pp. 197, 203, 204)( En l'amoureux vergier vis une flour).
  5. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I , p. 33( Fumeux fume par fumee) .
  6. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174( Fumeux fume par fumee) .

OTHER LITERATURE

  1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950 .
  2. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, pp. 225, 245-249.
  3. GÜNTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960): 1-21 (pp. 12-13, 15).
  4. GÜNTHER, Ursula. 'Datierbare Balladen des spaten 14. Jahrhunderts. Part 2', Musica Disciplina, XVI (1962): 151-174.
  5. MARGGRAF, Wolfgang. 'Solage', Die Musik in Geschichte und Gegenwart, XII (1965): 831 .
  6. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols, Ph.D. dissertation, University of California (Berkeley): 1970, p. 214.
  7. HIRSHBERG, Jehoash. The Music of the Late Fourteenth Century: A Study in Musical Style, Ph.D. dissertation, University of Pennsylvania: 1971.
  8. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59.
  9. GÜNTHER, Ursula. 'Solage', The New Grove, XVII (1980): 448 .
  10. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII.
  11. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268.
  12. GÜNTHER, Ursula. 'Unusual phenomena in the transmission of late fourteenth-century polyphonic music', Musica Disciplina, XXXVIII (1984): 87-118, p. 103.
  13. LEFFERTS, Peter M. '"Subtilitas" in the tonal language of "Fumeux fume", Early Music, XVI/2 (1988): 176-183.

Recordings

Recordings of works by Solage

  1. French Chansons of the Fourteenth Century: Anthologie Sonore AS 110 (1953): En l'amoureux vergier vis une flour; .
  2. Music of Mediaeval France 1200 - 1400 [Songs of Birds, Battles and Lo: Bach Guild BG 70656 (mono BG 656) (1961): Helas! je voy mon cuer a fin venir; Pluseurs gens voy qui leur pensee; .
  3. The Ars Nova: Vocal Music of 14-Century France and Italy: Expèriences Anonymes EA/EAS 83 (1966): Fumeux fume par fumee; .
  4. Music from the Hundred Year War: Philips 6747 004 (set 5) (INT) (1969): S'aincy estoit que ne feust la noblesce; .
  5. Recordings to accompany A History of Western Music and Norton Antholog: CBS P8 15483 (1972): Fumeux fume par fumee; .
  6. The Late 14th Century Avant Garde: EMI/HMV ASD 3621 (GB) (1973): Helas! je voy mon cuer a fin venir; Fumeux fume par fumee; .
  7. Dufay and His Times: Telefunken ER 6.35 257(2) (GER) (1974): Fumeux fume par fumee; .
  8. Codex Chantilly: airs de cour: HMC 901252 (1987): Fumeux fume par fumee; .
  9. The Chantilly Codex: Harmonia Mundi HMC 1252 (1987): Fumeux fume par fumee; .
  10. Ars Magis Subtiliter: New Albion Records NA 021 CD (1989): Fumeux fume par fumee; .
  11. The Medieval Romantics: CDA66463 (1991): Joieux de cuer en seumellant estoye; .
  12. Febus Avant!: Sony Classical SK 48 195 (1991): Fumeux fume par fumee; .
  13. The study of love: (1992): Le basile de sa propre nature; .
  14. Lancaster and Valois: French and English music, 1350-1420: Hyperion CDA66588 (1992): Tres gentil cuer amoureux, attraians; .