MMDB

Baude Cordier

Other names: Cordier, Baude (Grove, MGG), Baude Fresnel,

`Tout par compas' tells us Cordier was born in Rheims. Most likely to be identified with Baude Fresnel, harpist and organist at the Burgundian court (Wright). Lindley: he may also be `Baudecet' (i.e Baude `of the cetra') in Arnaut of Zwolle's treatise.

Works (11)

  1. Amans ames secretement rondeau
  2. Belle bonne sage rondeau
  3. Ce jour de l'an que maint doist estrenier rondeau
  4. Dame excellent ou sont bonte ballade
  5. Gloria
  6. Je suy celuy qui veul toudis servir rondeau
  7. Pour le deffault du noble dieu bachus rondeau
  8. Que vaut avoir qui ne vit liement rondeau
  9. Se cuer d'amant par soy humilier rondeau
  10. Tant ay de plaisir et de desplaisance rondeau
  11. Tout par compas rondeau

Literature

Baude Cordier

LIFE

  1. BESSELER, Heinrich. 'Cordier, Baude', Die Musik in Geschichte und Gegenwart, II (1952): 1665-1668 .
  2. REANEY, Gilbert. 'Cordier, Baude', The New Grove, IV (1980): 767-768.

EDITIONS

  1. RIEMANN, Hugo. Handbuch der Musikgeschichte, 5 vols, Leipzig: Breitkopf & Härtel, 1904-1913 .
  2. Le manuscrit de musique polyphonique du trésor d'Apt, edited by Amédée Gastoué, Paris: E. Droz, 1936. La société française de musicologie, series 1, Vol. X.
  3. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1955. Corpus Mensurabilis Musicae 11/I.
  4. Medieval Music, edited by W. Thomas Marrocco and Nicholas Sandon, London: Oxford University Press, 1977 .
  5. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII.
  6. French Sacred Music, edited by Giulio Cattin and Francesco Facchin, Monaco: Editions de l'Oiseau Lyre, 1992: Polyphonic Music of the Fourteenth Century Vol. XXIIIIA.

STUDIES OF WORKS

  1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942 , pp. 425-426, & example 62( Amans ames secretement) .
  2. REANEY, Gilbert. 'The Middle Ages', [in] A History of Song, edited by Denis Stevens, 2nd edition, New York: W. W. Norton, 1970, pp. 15-64, p. 52( Belle bonne sage).
  3. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174( Belle bonne sage).
  4. REANEY, Gilbert. 'A consideration of the relative importance of words and music in composition from the 13th to the 15th century', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 175-196, p. 190( Tout par compas).
  5. KOEHLER, Laurie. Review of Gordon K. Greene (ed.): Polyphonic Music of the Fourteenth Century, vols. XVIII-XX, Journal of the American Musicological Society, XXXIX/3 (1986): 633-641, p. 637( Tout par compas).

OTHER LITERATURE

  1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942 , pp. 425-426, & example 62.
  2. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1955. Corpus Mensurabilis Musicae 11/I.
  3. REANEY, Gilbert. 'The Middle Ages', [in] A History of Song, edited by Denis Stevens, 2nd edition, New York: W. W. Norton, 1970, pp. 15-64, p. 52.
  4. MEYLAN, Raymond. 'Réparation de la Roue de Cordier', Musica Discplina, XXVI (1972): 69-71 .
  5. REANEY, Gilbert. 'Cordier, Baude', The New Grove, IV (1980): 767-768.
  6. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII.
  7. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174.
  8. REANEY, Gilbert. 'A consideration of the relative importance of words and music in composition from the 13th to the 15th century', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 175-196, p. 190.
  9. KOEHLER, Laurie. Review of Gordon K. Greene (ed.): Polyphonic Music of the Fourteenth Century, vols. XVIII-XX, Journal of the American Musicological Society, XXXIX/3 (1986): 633-641, p. 637.

Recordings

Recordings of works by Baude Cordier

  1. Dictionnaire des Instruments Anciens: Harmonia Mundi HMU (3) 445: Tout par compas; .
  2. Ballades, Rondeaux & Virelais from the 14th and 15th Centuries: Odyssey 32 16 0178 (1967): Tout par compas; .
  3. Cinq Siècles de Musique dans la Cathédrale de Reims: Erato LDE 3377/ STE 50277/STU 70277 (1968): Gloria; .
  4. Historical Anthology of Music in Performance. Vol. 1: Late Medieval Mu: Pleiades P 250 (1968): Belle bonne sage; Amans ames secretement; .
  5. Codex Chantilly: airs de cour: HMC 901252 (1987): Belle bonne sage; Tout par compas; .
  6. The Chantilly Codex: Harmonia Mundi HMC 1252 (1987): Belle bonne sage; Tout par compas; .
  7. Ars Magis Subtiliter: New Albion Records NA 021 CD (1989): Belle bonne sage; Tout par compas; .
  8. Lancaster and Valois: French and English music, 1350-1420: Hyperion CDA66588 (1992): Ce jour de l'an que maint doist estrenier; .