MMDB

Antonellus da Caserta

Other names: Anthonello de Caserta (PMFC XX, Apel, Grove, MGG XV), Ant(h)onellus, (An)tonelus, Antonellus Marot de Caserta, abbas

An Italian composer who wrote both French and Italian works which have survived separately. Little seems to be known about his life.

Works (17)

  1. A pianger l'ochi ballata
  2. Amour m'a le cuer mis en tel martire ballade
  3. Beauté parfaite, bonté soverayne ballade
  4. Beauté parfaite, bonté soverayne ballade
  5. Con dogliosi martire ballata
  6. Dame d'onour, c'on ne puet esprixier rondeau
  7. Dame d'onour, en qui tout mon cuer maynt ballade
  8. Dame zentil, en qui est ma sperance rondeau
  9. De, vogliateme oldire ballata
  10. Del glorioso titolo d'esto duce madrigal
  11. Du val prilleus ou pourpris de jeunesse ballade
  12. Du val prilleus ou pourpris de jeunesse ballade
  13. Madonna, io me ramento ballata
  14. Notés pour moi ceste ballade
  15. Or tolta pur me sey da l'ochi mey ballata
  16. Piu chiar che'l sol ballata
  17. Tres nouble dame souverayne virelai

Literature

Antonellus da Caserta

LIFE

  1. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948): 539-615.
  2. GÜNTHER, Ursula. 'Anthonello de Caserta', The New Grove, I (1980): 465-466 .

EDITIONS

  1. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I.
  2. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols, 1983.
  3. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII.

STUDIES OF WORKS

  1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942 , pp. 414-417, & example 58( Beauté parfaite, bonté soverayne).
  2. MANCINI, Augusto. 'Frammenti di un nuovo codice dell' Ars nova', Rendiconti dell' Accademia Nazionale dei Lincei, ser. 8, II (1947): 85-94.
  3. PIRROTTA, Nino. 'Scuole polifoniche italiane durante il secolo XIV: Di una pretesa scuola napolitana', Collectanea Historiae Musicae, I (1953): 11-18.
  4. FICKER, Rudolf von. 'The transition on the continent', [chapter 5 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960.
  5. FANO, Fabio. 'Punti di vista su l'Ars nova', L'Ars nova italiana del Trecento I: Certaldo 1959, 1962, pp. 105-112.
  6. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972): 53-68 (p. 59/n42)( Dame d'onour, en qui tout mon cuer maynt).
  7. SWARTZ, Anne. 'A new chronology of the ballades of Machaut', Acta Musicologica, XLVI (1974): 192-207 (p. 203)( Amour m'a le cuer mis en tel martire).
  8. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978 , pp. 480-481( Dame zentil, en qui est ma sperance).
  9. BROWN, Howard M. 'Chanson. I. Origins to about 1430', The New Grove, IV (1980): 136-137 ( Dame d'onour, en qui tout mon cuer maynt).
  10. ZIINO, Agostino. 'Guillaume de Machaut, fondateur d'école?', Guillaume de Machaut, poète et compositeur. Colloque - Table Ronde, 1978, pp. 329-335, pp. 333-334( Beauté parfaite, bonté soverayne).
  11. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226, passim( Du val prilleus ou pourpris de jeunesse).
  12. BAUMANN, Dorothea. 'Silben- und Wortwiederholungen im italienischen Liedrepertoire des späten Trecento und frühen Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 77-92, p. 85( Or tolta pur me sey da l'ochi).

OTHER LITERATURE

  1. BERTONI, G. 'Poesie musicali francese nel codice estense lat. 568', Archivum Romanicum, I (1917).
  2. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942 , pp. 414-417, & example 58.
  3. MANCINI, Augusto. 'Frammenti di un nuovo codice dell' Ars nova', Rendiconti dell' Accademia Nazionale dei Lincei, ser. 8, II (1947): 85-94.
  4. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950 .
  5. PIRROTTA, Nino. 'Scuole polifoniche italiane durante il secolo XIV: Di una pretesa scuola napolitana', Collectanea Historiae Musicae, I (1953): 11-18.
  6. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1..
  7. FICKER, Rudolf von. 'The transition on the continent', [chapter 5 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960.
  8. FANO, Fabio. 'Punti di vista su l'Ars nova', L'Ars nova italiana del Trecento I: Certaldo 1959, 1962, pp. 105-112.
  9. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972): 53-68 (p. 59/n42).
  10. GÜNTHER, Ursula. 'Anthonello de Caserta', Die Musik in Geschichte und Gegenwart, XV (1973): 228-231 .
  11. MONTAGU, Jeremy. 'Early percussion techniques', Early Music, II/1 (1974): 20-24.
  12. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978 , pp. 480-481.
  13. BROWN, Howard M. 'Chanson. I. Origins to about 1430', The New Grove, IV (1980): 136-137 .
  14. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX .
  15. ZIINO, Agostino. 'Ripetizioni di sillabe e parole nella musica profana italiana del Trecento e del primo Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 93-120.
  16. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174.

Recordings

Recordings of works by Antonellus da Caserta

  1. A Treasury of Early Music: Haydn Society HSE 9100/3: Notés pour moi ceste ballade; .
  2. The Late 14th Century Avant Garde: EMI/HMV ASD 3621 (GB) (1973): Amour m'a le cuer mis en tel martire; .
  3. Denkmäler Alter Musik aus dem Codex Reina (14./15. Jh.): Telefunken AW6 42357 (1979): Beauté parfaite, bonté soverayne; .
  4. The Garden of Zephyrus: Hyperion CDA 66144 (1984): Amour m'a le cuer mis en tel martire; .
  5. The Garden of Zephirus. Courtly Songs of the Early Fifteenth Century: Hyperion A66144 (1984): Amour m'a le cuer mis en tel martire; .
  6. Machaut and his time: (1994): Beauté parfaite, bonté soverayne; .